. It required a special talent to keep pace with Jimi Hendrix. Mitchell, along with bassist Noel Redding, mastered this challenge. They were the only rhythm section capable of handling Hendrix’s genius.
Mitchell’s skill earned him high praise. He was inducted into the Rock and Roll Hall of Fame in 1992. This was for his work with The Jimi Hendrix Experience. His influence on other musicians is undeniable. Black Sabbath drummer Bill Ward is among those legends.
Ward’s ‘Privileged’ Encounter
Bill Ward recently discussed Mitch Mitchell. He did this during his November radio show on LA Radio Studio. Ward emphasized how fortunate he was to have met Mitchell. He described the meeting with great respect.
“What can I say about Mitch?” Ward began. “I was privileged – underscore the word ‘privileged’ – to meet Mitch not so far away ago.” Ward noted that both musicians had certainly gotten older. This meeting was clearly a highlight for the Black Sabbath star.
Analyzing Mitchell’s Unique Style
Ward praised Mitchell’s playing on “All Along The Watchtower.” He called the drumming “so unique and so brilliant.” Mitchell expertly blended different genres. “He was playing rock, he was also playing jazz,” Ward explained.
Ward realized Mitchell played everything perfectly. His work suited both Jimi Hendrix and Noel Redding. Listening to Mitchell’s drumming was inspiring for Ward. He first heard “Watchtower” when he was young. The Bill Ward Mitch Mitchell connection deepened through music.
Mitchell: Ahead of His Time
Ward described Mitchell as a groundbreaking player. “I think he was cutting edge, leading edge,” Ward stated. Mitchell ventured into drumming territories Ward only dreamed of. Ward hoped to become a “shadow” or “follower” of that style.
Mitchell was a major influence on many drummers. His attitude was fearless and frantic. “Mitch was just out there,” Ward said. He played “with basically a ‘I don’t give a flying fuck’ attitude, which I loved.” This boldness cemented the Bill Ward Mitch Mitchell professional bond.
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